Johann Rosenmüller


This fine CD by one of our customers, Alex Potter, and his colleagues (Ensemble Chelycus)
is available from all good record shops, or directly from the CD company, Ramée.
Pieces marked with an asterisk (*) are on the CD.

Amo te, Deus meus

ROS005.1
Setting a text most likely by one of Rosenmüller's favourite poets, St Augustine, this fine motet is scored for a gorgeously sonorous combination, doubtless familiar with through the works of his older friend, Schütz.
Andere Kern-Sprüche, 1652.
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  • Description
Setting a text most likely by one of Rosenmüller's favourite poets, St Augustine, this fine motet is scored for a gorgeously sonorous combination, doubtless familiar with through the works of his older friend, Schütz.
Andere Kern-Sprüche, 1652.
Edited by Brian Clark.
24pp.
Scoring: 2 Altos, 4 trombones, continuo.

Christum ducem, qui per crucem*

ROS011.1
Sets a poetic text over a ground bass.
Andere Kern-Sprüche, 1652.
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  • Description
Sets a poetic text over a ground bass.
Andere Kern-Sprüche, 1652.
Edited by Brian Clark.
8pp.
Scoring: Alto, 2 violins, continuo.
PLEASE NOTE: This edition does not include a continuo realization.
If you require one, please tick the box. Remember, it may take a week to produce a continuo part.

Domine Deus meus

ROS006.1
This motet sets a text from the Meditations of St Augustine.
Kern-Sprüche, 1648.
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  • Description
This motet sets a text from the Meditations of St Augustine.
Kern-Sprüche, 1648.
Edited by Brian Clark.
12pp.
Scoring: 2 Tenors, 2 violins, continuo.

Gloria in excelsis / Das Wort ward Fleisch

ROS022.1
This Christmas motet combines words from the beginning of the Gloria section of the mass (the words of the angels in the familiar passage from Handel's "Messiah") with the Biblical narrative about the birth of Christ.
[Manuscript source]
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  • Description
This Christmas motet combines words from the beginning of the Gloria section of the mass (the words of the angels in the familiar passage from Handel's "Messiah") with the Biblical narrative about the birth of Christ.
[Manuscript source]
Edited by Brian Clark.
54pp.
Scoring: SSATTB, 5-part strings, 5-part brass, continuo.
If you plan to perform this piece with a choir, please email us to negotiate a special price for extra scores.
PLEASE NOTE: This edition does not include a continuo realization.
If you require one, please tick the box. Remember, it may take a week to produce a continuo part.

In te Domine, speravi*

ROS008.1
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  • Description
Edited by Brian Clark.
12pp.
Scoring: Alto solo, 2 violins, 2 violas, bassoon, continuo.
PLEASE NOTE: This edition does not include a continuo realization.
If you require one, please tick the box. Remember, it may take a week to produce a continuo part.

Nisi Dominus

ROS009.1
Rosenmüller uses all his imaginative powers in setting the different verses of the Psalm 126 [127].
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  • Description
Rosenmüller uses all his imaginative powers in setting the different verses of the Psalm 126 [127].
Edited by Brian Clark.
24pp.
Scoring: SATB, 3 violins, 2 violas, bassoon, continuo.
PLEASE NOTE: This edition does not include a continuo realization.
If you require one, please tick the box. Remember, it may take a week to produce a continuo part.
If you plan to perform this work with a choir, please email us to negotiate a special price for extra scores.

O Salvator dilectissime*

ROS020.1
This motet sets an unknown text in praise of the Saviour. For much of the time, the instruments merely re-inforce what the voice has declamed, but there are moments of dialogue, and the work ends with a fine Amen.
[Manuscript source.]
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  • Description
This motet sets an unknown text in praise of the Saviour. For much of the time, the instruments merely re-inforce what the voice has declamed, but there are moments of dialogue, and the work ends with a fine Amen.
[Manuscript source.]
Edited by Brian Clark.
24pp.
Scoring: Alto solo, 2 violins, 2 violas, bassoon, continuo.
PLEASE NOTE: This edition does not include a continuo realization.
If you require one, please tick the box. Remember, it may take a week to produce a continuo part.

Siehe, eine Jungfrau ist schwanger

ROS010.1
This large-scale work sets the familiar pre-Christmas text, "Behold, a virgin shall conceive."
[Manuscript source.]
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  • Description
This large-scale work sets the familiar pre-Christmas text, "Behold, a virgin shall conceive."
[Manuscript source.]

Edited by Brian Clark.
52pp.
Scoring: SSAATTBB, 2 violins, 2 cornetti, 4 trombones, continuo.
If you plan to perform this work with a choir, please email us to negotiate a special price for extra scores.
PLEASE NOTE: This edition does not include a continuo realization.
If you require one, please tick the box. Remember, it may take a week to produce a continuo part.

Vox dilecti mei*

ROS021.1
This extended motet sets a text that paraphrases passages from The Song of Songs. Rosenmüller uses string ritornelli to give the whole work structure, and conludes with a 6/4 Alleluia that recalls the feeling of an earlier aria.
[Manuscript source]
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  • Description
This extended motet sets a text that paraphrases passages from The Song of Songs. Rosenmüller uses string ritornelli to give the whole work structure, and conludes with a 6/4 Alleluia that recalls the feeling of an earlier aria.
[Manuscript source]
Edited by Brian Clark.
16pp.
Scoring: Alto solo, 2 violins, continuo.
PLEASE NOTE: This edition does not include a continuo realization.
If you require one, please tick the box. Remember, it may take a week to produce a continuo part.

Warlich, ich sage euch

ROS004.1
In this setting of the familiar text from St John's Gospel ("Verily I say unto you"), Rosenmüller conveys the meaning of the phrase "Shall have everlasting life" through the use of ground bass, first a descending tetrachord, then a rising one and finally a free three bar bass.
Andere Kern-Sprüche, 1652.
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  • Description
In this setting of the familiar text from St John's Gospel ("Verily I say unto you"), Rosenmüller conveys the meaning of the phrase "Shall have everlasting life" through the use of ground bass, first a descending tetrachord, then a rising one and finally a free three bar bass.
Andere Kern-Sprüche, 1652.
Edited by Brian Clark.
16pp.
Scoring: Soprano, Alto, Tenor, Bass, 2 violins, continuo.