This cantata was rated by Bernd Baselt, author of the earliest monograph on Erlebach's music, as a supreme model of his church compositions. Even from the first page, it is evident that he employs rich harmonies and clever counterpoint to express the text.
Edited by Brian Clark
SATB soli and tutti, 2 violins, 2 violas, bassoon, continuo.PLEASE NOTE
: This edition does not include a continuo realization. If you require one, please tick the box. Remember, it may take a week to produce a continuo part.
If you plan a choral performance and extra scores are required, please contact us