This cantata (for the 4th Sunday after Epiphany, 1740) takes the following form: 1. Chorus (SATB, 2 oboes, strings, continuo) 2. Recitative (Bass, continuo) 3. Aria (Bass, strings, continuo) 4. Recitative (Soprano, continuo) 5. Aria (Soprano, strings [unison violins], continuo) 6. Recitative (Tenor, continuo) 7. Chorale (Tutti).
Edited by Marco Schneider and Johanna Schatz.
Scoring: SATB, 2 oboes, 2 violins, viola, continuo.
PLEASE NOTE: This edition does not include a continuo realization.