Vocal music with instruments

Omnes gentes

LEG015.1
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  • Description

From a set of motets for solo voice, strings and continuo, published in 1692 (after the composer's death) by his nephew.
Edited by Brian Clark.

12pp.
Scoring: Soprano solo, 2 violins, violoncello, continuo.
PLEASE NOTE: This edition does not include a continuo realization.
If you require one, please tick the box. Remember, it may take a week to produce a continuo part.

Sub citharis

LEG020.1
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  • Description

This motet appeared in the posthumous print of solo motets that Legrenzi's nephew (and heir) had printed in 1692. It sets an unknown text for the feast of the Resurrection and has a typical late 17th-century patchwork structure, alternating arias with declamatory passages.
Alex Potter and the ensemble Chelycus give a marvellous impression of Legrenzi's solo motets in this live performance.
Edited by Brian Clark.
12pp.
Scoring: Alto solo, 2 violins, violoncello, continuo.
PLEASE NOTE: This edition does not include a continuo realization.
If you require one, please tick the box. Remember, it may take a week to produce a continuo part.

Laudate, pueri, Dominum

LEG029.1
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  • Description

This is the only surviving piece of church music by Legrenzi to use a solo trumpet. The text is a popular psalm in Vespers services, including the popular Marian sequence.
Edited by Brian Clark.
44pp.
Scoring: SSATB, trumpet, 5-part strings, continuo.
PLEASE NOTE: This edition does not include a continuo realization.
If you require one, please tick the box. Remember, it may take a week to produce a continuo part.
If you plan to perform this work with a large choir, please email us to negotiate a special price for extra scores.
This score was printed on quality paper in landscape format by Frick-Digital in Germany.

Click here to see the first page of the score.