This motet appeared in the posthumous print of solo motets that Legrenzi's nephew (and heir) had printed in 1692. It sets an unknown text for the feast of the Resurrection and has a typical late 17th-century patchwork structure, alternating arias with declamatory passages.
Alex Potter and the ensemble Chelycus give a marvellous impression of Legrenzi's solo motets in this live performance.
Edited by Brian Clark.
Scoring: Alto solo, 2 violins, violoncello, continuo.
PLEASE NOTE: This edition does not include a continuo realization.
If you require one, please tick the box. Remember, it may take a week to produce a continuo part.