Edited by Brian Clark.12pp, printed on quality paper and finished by DU Print.Scoring: Soprano, 2 violins, cello, continuo. "Per ogni tempo."
Click HERE to see the first page of the score.
This patchwork-style setting of Psalm 115 (in the Vulgate, Psalm 116 in non-Catholic bibles) has an unmistakably modal feel to it. The continuo part is essential to fill out the harmonies to give the piece its full impact.
Edited by Brian Clark.20pp, printed on quality paper and finished by DU Print.Scoring: Alto, tenor, bass, 2 violins, continuo
Edited by Brian Clark.28pp, printed on quality paper and finished by DU Print.Scoring: Alto, 2 violins, 2 violas, continuo.
This setting comes from the composer's op. 1, the Concerti musicali per uso di chiesa of 1654.
Edited by Brian Clark.32pp, printed on quality paper and finished by DU Print.Scoring: SATB, 2 violins, continuo
Performance material by negotiation.
This setting of the opening portion of a Vespers service comes from Legrenzi's 1654 publication, Concerti musicali per uso di chiesa, his op. 1.
Edited by Brian Clark.12pp, printed on quality paper and finished by DU Print.Scoring: Soprano solo, 2 violins, continuo.
Edited by Brian Clark.12pp, printed on quality paper and finished by DU Print.Scoring: Alto, 2 tenors, 2 violins, continuo.
Edited by Brian Clark.24pp, printed on quality paper and finished by DU Print.Scoring: Alto, tenor, bass, 2 violins, continuo.
Edited by Brian Clark.12pp, printed on quality paper and finished by DU Print.Scoring: Alto, 2 violins, cello, continuo. "Per ogni tempo".
Click HERE to see the first two pages of the score.
Edited by Brian Clark.16pp, printed on quality paper and finished by DU Print.Scoring: Alto, 2 violins, cello, continuo. "Per ogni tempo".
Edited by Brian Clark.12pp, printed on quality paper and finished by DU Print.Scoring: Soprano, 2 violins, cello, continuo. "Per la Beatissima Vergine".
From a set of motets for solo voice, strings and continuo, published in 1692 (after the composer's death) by his nephew.
Edited by Brian Clark.12pp.Scoring: Soprano solo, 2 violins, violoncello, continuo.
Click HERE to see the oprning of the score.
This motet appeared in the posthumous print of solo motets that Legrenzi's nephew (and heir) had printed in 1692. It sets an unknown text for the feast of the Resurrection and has a typical late 17th-century patchwork structure, alternating arias with declamatory passages.Edited by Brian Clark.12pp.Scoring: Alto solo, 2 violins, violoncello, continuo.
Click HERE to see the opening of the score.
This is the only surviving piece of church music by Legrenzi to use a solo trumpet. The text is a popular psalm in Vespers services, including the popular Marian sequence.
Edited by Brian Clark.44pp.Scoring: SSATB, trumpet, 5-part strings, continuo.
Click here to see the first page of the score.