Marked "Alla Breve" this psalm setting is written in an older style than many of the other pieces in the 1626 set.
Rovetta combines different pairs of voices to create an ever-varying sonority and uses short imitative figures to build the texture.Edited by Brian Clark.
: SSATTB, continuo.PLEASE NOTE
: This edition does not include a continuo realization.
If you require one, please tick the box. Remember, it may take a week to produce a continuo part.
If you plan to perform this work with a large choir, please email us
to negotiate a special price for extra scores.