Christian Geist

Geist's setting of the Lord's Prayer alternates a sinfonia with vocal declamations over instrumental "counterpoint" (in the style of a chorale prelude), culminating in a rousing triple time "for Thine is the Kingdom, the power and the glory forever".

Edited by Brian Clark.
12pp, printed on quality paper and finished by DU Print.
Scoring: Soprano, 3 "instruments" (3 gambas, or 2 violins, gamba), continuo.

Click HERE to see the first pages of the score.

Performance material by negotiation.

Geist composed this motet to celebrate the first communion of King Charles XI of Sweden in June 1670.

Edited by Cosimo Stawiarski.
8pp, printed on quality paper and finished by DU Print.
Scoring: 2 sopranos, 2 violins, continuo.

Click HERE to see the first pages of the score.

Performance material by negotiation.

Geist's setting of this Pentecost sequence alternates passages for two solo sopranos (with and without violins) with duets.

Edited by Brian Clark.
12pp, printed on quality paper and finished by DU Print.
Scoring: 2 sopranos, 2 violins, gamba, continuo.

Click HERE to see the first page of the score.

Performance material by negotiation.

Three of the seven verses of this well-known Christmas hymn are printed in the edition with the others (along with a translation) provided in the introduction. While the soprano sings the serene chorale melody, the two violins and gamba weave intricate filigree around about.

Edited by Brian Clark.
8pp, printed on quality paper and finished by DU Print.
Scoring: soprano, 2 violins, gamba, continuo.

Click HERE to see the first pages of the score.